Aeon flux anime dvd11/28/2023 Spy-like action series, and combining such far-flung points of inspiration as Franco-Belgian comics, cyberpunk fiction, and Gnosticism, the original 12-minute pilot and its five-episode second season are nearly absent of spoken dialogue. What exactly is Aeon aiming to accomplish here? What did these soldiers do to provoke such an attack? Who exactly are the “good” guys and who are the “bad” guys in this situation?Įverything about Æon Flux revolves around subverting expectations and inspiring the viewer to scrutinize beyond the surface of a first impression. It turns out, our heroine might not in fact be a heroine at all. A group of custodians with mops looks on from the sidelines as Aeon marches forward, shooting off-screen with reckless abandon. Surrounding him are other bodies, too many to count, lying in a massive pool of blood and heaped into dozens of mountains of corpses. Acting as a grisly counterpoint to the action movie heroics of the first, Chung frames the episode from the vantage point of one of Aeon’s innumerable and anonymous adversaries, opening with a dying man experiencing a Steambot Willie-esque hallucination as he succumbs to his wounds. Æon Flux’s second segment completely reverses the dynamics. Even the thunderous orchestral score was, according to series composer Drew Neumann, explicitly designed to deceive the audience by invoking John Williams’ Raiders of the Lost Ark theme … but “broken.” At first glance, the first two-minute segment appears to perpetuate the same tired conventions of so-called “adult” animation of which I would accuse the first season of Love, Death & Robots: an overreliance on surface-level violence and scantily clad sexual imagery in service of the male gaze. Premiering on MTV’s experimental animation variety show Liquid Television in 1991, Æon Flux follows a dominatrix-assassin as she shoots her way through winding corridors of a vast and seemingly impregnable complex while on an unspecified mission. More contemporary incarnations of the genre (including Love, Death,& Robots) could learn from the precedent that creator Peter Chung and his team set nearly 30 years ago. Ballard and Harlan Ellison, and the addition of Jennifer Yuh Nelson ( Kung Fu Panda 2), who joins series creator Tim Miller ( Deadpool) as co-executive producer and directs “Pop Squad,” one of this season’s standout installments, all seems to have helped the series to grow.īut there’s still the issue of classifying Love, Death & Robots as “adult” animation, a description that, however well meaning, inadvertently frames the medium as one intended “for kids.” How then do we even go about defining “adult” animation, let alone good “adult” animation? My definition comes from one particular series: Peter’s Chung’s avant-garde sci-fi series Æon Flux. Luckily, Love, Death & Robots season 2 improves upon the first, with eight shorts that cut down on the gratuitous nudity and violence and are speculative in a way that’s actually mature. There was nothing beneath their shiny surfaces. For a series that claims maturity, the majority of season 1’s otherwise beautifully animated shorts felt like exercises in adolescent hyper-fixation, with only blood, boobs, and gore as a thematic through-line. I enjoyed some of the first wave of episodes, especially Albert Mielgo’s “The Witness” and Robert Valley’s “Zima Blue,” but the sales pitch of animation for “mature, messed-up” adults made me cringe. Should play on any blu-ray player (don't own one, PS5 or Xbox).My reaction to a second season of Netflix’s animated anthology series Love, Death & Robots was preemptive exhaustion. While Monica represents a dynamic nihilistic, anarchist society where rules do not exist, Bregna embodies a centralized, scientifically planned Orwellian police state.įeatures director's cut versions of several episodes, with added special effects, and in a few cases, new scenes written by Peter Chung and recorded by the original voice actors in order to improve character continuity between episodes. The two cities engage in a futile, never-ending war for ideological supremacy. Her mission is to infiltrate and destroy the strongholds of the city of Bregna, which is led by her sworn enemy, and sometimes lover, Trevor Goodchild - the technocratic dictator of Bregna, whose citizens are called Breens. Æon Flux is a tall, sexy, scantily clad dominatrix secret agent from the city of Monica - skilled in espionage, assassination and acrobatics. Set in a surreal German Expressionist-style futuristic universe, a bizarre dystopia populated by mutant creatures, clones, and robots, set within the separated border-wall cities of Monica and Bregna. Aeon Flux - The Complete Animated Collection Blu-ray
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